May 1, 2018

 Long Live Rock And Roll, Long May It Move Me So
(Aztec Music AVSCD0421972, 2008 - Recordings from 1972)

Originally a four-piece instrumental group who had put out one surfing instrumental, "Smoke & Stack", they formed in Sydney in 1963. With the advent of the Merseybeat sound, they added a lead singer, Billy Thorpe. His powerful voice and showmanship (which made him one of the most popular and respected rock performers in Australian music), completed the original line-up, which consisted of drummer Col Baigent, bassist John "Bluey" Watson and guitarists Valentine Jones and Vince Maloney (who later played with The Bee Gees). Valentine Jones left the band shortly after Billy Thorpe had joined and was later replaced by Tony Barber. The group broke through in mid-1964 with a massive nationwide hit, their cover of the Leiber and Stoller classic "Poison Ivy", which famously kept The Beatles from the No. 1 spot on the Sydney charts at the very moment that the group was making its first and only tour of Australia - a feat which resulted in Thorpe being invited to meet the Fab Four at their hotel. Over the next twelve months the band reigned supreme as the most popular 'beat' group in Australia, scoring further hits with the songs "Mashed Potato", "Sick And Tired" and "Somewhere Over the Rainbow", until they were eclipsed by the emergence of The Easybeats in 1965. The band's recording success confirmed Albert Productions, their recording company, with its worldwide distribution deals through EMI and Parlophone, as one of the most important in Australia's embryonic pop industry.

During 1965 the original Aztecs quit after a financial dispute, so Thorpe put together a new five-piece version consisting of drummer Johnny Dick, pianist Jimmy Taylor, guitarists Colin Risbey and Mike Downes and NZ-born bassist Teddy Toi. This group performed until 1966, scoring further hits with "Twilight Time", "Hallelujah I Love Her So", "Baby, Hold Me Close", "Love Letters" and "Word For Today". Thorpe went solo in 1967 and for a brief time hosted his own TV show, It's All Happening, but personal problems and a widely publicised bankruptcy brought this phase of his career to an end in 1968. In 1969, Thorpe decided to try England, after being offered a recording deal by the Australian-born, London-based impresario Robert Stigwood, who had risen to become manager of The Bee Gees and Cream. While rehearsing a backing band in Melbourne that would form the basis for a new Aztecs, the guitarist unexpectedly dropped out, leaving Thorpe to assume lead guitar role at short notice. It marked another turning point in his career and from this point on Thorpe played lead guitar in The Aztecs as well as continuing as lead vocalist. His planned six-week stay in Melbourne soon stretched into months and eventually Thorpe decided to remain in Australia and re-launch his career.

Thorpe himself openly acknowledges that this new 'heavy' version of the Aztecs owes much to 'guitar hero' Lobby Loyde. Lloyde already had a cult following due to his stints in two of the most original Australian bands of the 1960s, The Purple Hearts and Wild Cherries. While his stint in the new Aztecs was short (from December 1968 to January 1971), his musical influence proved crucial in steering Thorpe in a completely new direction, and he strongly encouraged Thorpe to keep playing guitar. The new Aztecs' blues-based heavy-rock repertoire was dramatically different in style from the original group, and they quickly became famous (or notorious) for the ear-splitting volume at which they played. Thorpe had also drastically changed his appearance - he grew a beard, often wore his now shoulder-length hair braided in a pigtail, and he had long since traded the tailored suits for jeans and T-shirts. Needless to say this did not endear him to people who came to the shows expecting the 'old' Billy Thorpe of the "Poison Ivy" era, and this led to sometimes violent confrontations with disgruntled fans and promoters.

Their breakthrough recording was an ambitious album, "The Hoax Is Over", recorded in September 1970 with new drummer Kevin Murphy. The album was an unequivocal signal of the Aztecs' new direction, containing only four tracks, three of which were Thorpe originals. The LP is dominated by two extended tracks: a version of Johnny "Guitar" Watson's "Gangster of Love", which clocked in at 24:35 and ran the entire length of Side 1 (an unprecedented move in Australian pop music) and Thorpe's own "Mississippi" which ran 19'35". According to Thorpe, the band (which at this time comprising himself, Murphy, pianist Warren Morgan, guitar legend Lobby Loyde and bassist Paul Wheeler), were all high on LSD and jammed continuously while engineer Ernie Rose just let the tapes roll. The result heralded the fully-fledged arrival of the new Aztecs and live shows at Melbourne venues consolidated the band's reputation and drew enthusiastic responses.

During 1971 they continued to win over Melbourne's audiences with their power-blues repertoire, A landmark event for the band took place on 13 June 1971. Now a four-piece following the departure of Loyde, the Aztecs (Thorpe, Morgan and Wheeler, with new drummer Gil "Rathead" Matthews) headlined a major concert at the Melbourne Town Hall before a capacity crowd of 5000. The evening's performance, including Morgan's commandeering of the town hall organ, was captured on the album Live at Melbourne Town Hall, and which has since become known for the group's deafening performance, which (it was claimed) cracked the windows of neighbouring buildings. By contrast, the pastoral-sounding "The Dawn Song" was released in 1971. A moderate hit, it displayed the musical diversity of Thorpe and his colleagues at this time. In early 1972 the Aztecs released what became their biggest hit, and Thorpe's signature tune – "Most People I Know (Think That I'm Crazy)", a song now widely regarded as one of the classics of Australian rock. It was a huge hit for the new Aztecs, peaking in the Go-Set National Top 40 Singles Chart at number 3 in May 1972; propelled to the top of charts by the band's triumphant appearance at the 1972 Sunbury Music Festival. Thorpe himself claimed this as a pivotal moment in the development of Australian music, thanks to the promoters' decision to feature an all-Australian line-up, rather than relying on imported stars.

While by no means the first of Australia's outdoor rock festivals, Sunbury '72 has assumed the mantle of "Australia's Woodstock". It was held at the end of January 1972, over the Australia Day long weekend. The venue was a natural amphitheatre site on farmland near Sunbury, a rural town north of Melbourne, Victoria. The Aztecs shared billing with such other prominent acts as Spectrum/Murtceps, The La De Das, Max Merritt & the Meteors, SCRA, Pirana, Greg Quill's Country Radio and many others. Part of the Aztecs' set was issued on the double-album recording, "Sunbury" (EMI-HMV SOXLP 7561/2), and it was also captured on the film made of the event. A double-album collecting the Aztecs' full set, "Aztecs Live at Sunbury" (Havoc HST 4003/4) was issued later in the year and this has recently been reissued on CD. In mint condition, the original LP release, with pop-up inserts, is much sought after by collectors today.

The Moomba Festival on Sunday the 12th. of March 1972 culminated in a massive live concert at the Sidney Myer Music Bowl. The line-up was Friends, La De Das , Gerry and the Joy Band and headliners the Aztecs. As noted in TV and Newspaper reports, an enormous crowd of 200,000 (yes, you read right: Two Hundred Thousand!) turned up. The following GoSet edition featured a detailed report on the concert and noted the debut of a new track entitled "Long Live Rock And Roll And Long May It Move Me So" (predicted, following the success of "most People I Know Think That I'm Crazy", to be another number one smash - though it was never recorded). We have taken the Aztecs' barnstorming performance and added another from late 1972 at Melbourne's Festival Hall (their farewell show before travelling to the UK) to create a never before released Aztecs' CD - one that captures the band at the peak of their live power (this is the same year and line-up of the classic Aztecs Live! at Sunbury performance, i.e. the "Sunbury Aztecs" - Billy Thorpe, Gil Matthews, Paul Wheeler and Bruce Howard). The Festival Hall show features a lost classic: "Let Yourself Go" - a song in a similar vein to "Time To Live" and "Momma" - monster riffing, powerful vocals, relentless beat (with obligatory drum solo) with a running time of over 10 minutes! There's also a rare live version of their single "Believe it Just Like Me".

After the release of "Most People I Know" they released a follow-up single, "Believe It Just Like Me", which attacked local radio's preference for overseas material, but it failed to emulate the success of "Most People", which remains their best-known song. The band repeated their festival success at Sunbury '73, and a record culled from this performance, Summer Jam, was released later in the year. They enjoyed another triumph by selling out the Myer Music Bowl in Melbourne, in marked contrast to their abortive excursions to the UK earlier in the year. It is said that a major reason that their Marquee Club gigs in London failed was that British audiences could not tolerate the group's punishing volume. During 1973 Thorpe collaborated on a duo album with his long-time friend and colleague Warren "Pig" Morgan, the LP Thumpin' Pig and Puffin' Billy. Morgan and Thorpe also co-wrote and produced, with the Aztecs backing, a highly regarded single, "Looking Through a Window", for soul-blues singer Wendy Saddington.

In August, Thorpe switched record labels from the independent Havoc to the newly opened local arm of Atlantic Records, releasing "Movie Queen" and "Don't You Know You're Changing?" as solo singles of singles, although they featured most of the Aztecs line-up. Late in 1973 the group mounted a band's farewell concert at the newly opened Sydney Opera House, becoming the first rock band to perform there. The concert was recorded and released as a double album, Steaming at the Opera House. The show consisted of three one-hour sets, the first acoustic, the second, an elaborately staged concept suite called "No More War". The third set was an all-in all-star jam, reuniting Thorpe with former bandmates Lobby Loyde, Kevin Murphy and Johnny Dick. Before disbanding, the Aztecs recorded one more album for Atlantic, the provocatively titled More Arse Than Class, after which Thorpe embarked on a solo career. He released several more solo albums in Australia before re-locating to the United States, where he embarked on a series of business ventures, including a successful toy company with his old bandmate Tony Barber.

In the late 1990s Billy Thorpe returned to Australia, where he was recognised as one of the elder statesmen of Australian music. In 1991 he was inducted into the ARIA Hall of Fame. In 1998 Australia Post issued a special edition set of twelve stamps celebrating the early years of Australian Rock 'n' Roll, featuring Australian hit songs of the late 1950s, the 1960s and the early 1970s. "Each of them said something about us, and told the rest of the world this is what popular culture sounds like, and it has an Australian accent." A "Most People I Know" stamp was one of those in the set. In 2002 he was one of the driving forces behind the hugely successful TV and live concert series, "It's A Long Way to the Top", a celebration of 40 years of Australian rock music. This was an occasion for him to bring together and perform with two versions of The Aztecs, the "Original Aztecs" and, later in the show the "Sunbury Aztecs". His talent and his power-packed voice were virtually untouched by the passing of the years and he continued to perform energetically around the country until his untimely death at age 60. He was working on his long anticipated album "Tangier" at the time of his death. He was recording in Marrakech at Marrakech Prod Recording Studio. Billy Thorpe played his last gig at Westernport Hotel in San Remo, Victoria, on Sunday 25 February 2007. He died of a massive heart attack at St Vincent's Hospital, Sydney, in the early hours of Wednesday, 28 February 2007. Tributes flowed readily for this legend of Australian music. Gil Matthews runs the re-issue label Aztec Music. Their first release was Live at Sunbury by Billy Thorpe & the Aztecs.

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